探险旅行

简介：高文轩的妻子小玲不幸失足跌下瀑布悬崖身亡。从此以后，只要和其他女子约会，他便会浑身奇痒不止。有很多次，高文轩都在街上遇到一个长相酷似小玲的女子，但几乎每次都会因为误会而闹得不欢而散。不久，高文轩到新公司就职，发现与自己妻子长相一样的女子，原来就是这家广告公司董事长洪森的女儿洪冰。二人解除误会，洪冰终于接受了高文轩的求爱，两人最终迎来了圆满的爱情。

简介：公元前50年，帕萨特里安星人来到地球，对地球人进行了改变历史的“克丽奥佩特拉计划”。正当此时，罗马军队攻打庞贝接近埃及，千年古国即将蒙受战火荼毒。默默无闻的丑女克丽奥佩特拉（中山千夏 音）被送入金字塔，经过巫师整容，她变成美艳非常、姿色绝伦的美女。她的容貌成功打动了罗马统治者凯撒的心，英雄和美女的爱情传遍全世界，克丽奥佩特拉成为埃及当之无愧的统治者。然而就在她即将进驻罗马城的时候，凯撒在战场身亡。新一任罗马执政官安东尼（なべおさみ 音）率大军逼近尼罗河畔，这位埃及历史上的绝世美人将再次施展她的美人权术……

简介：一部纯粹表现大陆黄土高原风味的文学电影，由大陆导演黄建新执导，台湾演员张世担纲扮演男主角五魁。全片制作严谨，阐事手法亦颇有味道，可惜片中很多仪式性的场面安排却有着《大红灯笼高高挂》的浓厚影子，使本片的艺术价值打了不少折扣。

简介：这是一部关于政治、复仇的真实的电影。1972年在联邦德国举办的第20届奥运会上，巴勒斯坦的极端恐怖组织“黑色九月”闯进了奥运村绑架了11名以色列运动员，以此要挟以色列释放被关押的该组织成员。　　联邦德国的警察草率对待了这次绑架事件，他们直接冲进了恐怖组织的巢穴企图武装营救 人质，孰料导致了11名以色列运动员全部遇难!　　事件发生之后，以色列“摩萨德”高层迅速训练了一批特工，展开了对“黑色九月”组织以及相关的巴勒斯坦人血腥的报复……

简介：影片讲述日本帝国主义占领时期，姓名、母语、梦想统统不被允许的黑暗年代，朝鲜爱国诗人尹东柱(姜河那饰)在同为独立运动家的好友宋梦奎(朴正民饰)的影响下，通过诗歌鼓舞青年一代的故事。

简介：卡卓儿([我的名字叫可汗])将出演Netflix印度新片[三屈式](Tribhanga，暂译)。这部以家庭为中心的电影讲述了孟买一个家庭从上世纪80年代末到现代的三代人之间的故事。片名“三屈式”是奥迪斯舞蹈的常见站立体姿，“S”形姿态脱节、不对称，但优美性感。这与该中三个主要女性角色的生活相似。本片由雷努卡·沙哈内([情到浓时])执导，现已开拍。

简介：居住在法国北部城镇的弗莱迪（David Douche 饰）是一个无所事事的青年，他的母亲靠经营小餐馆为生，母亲的溺爱让弗莱迪根本不去考虑未来。他或者和三五好友骑着摩托车招摇过市，或者和女友玛莉（Marjorie Cottreel 饰）纵情享受与水之欢。在这个平静得近乎无聊的小镇，甚至死亡也无法激起太多涟漪。然而，一些阿拉伯移民却改变了弗莱迪的生活轨迹。张扬倔强的阿拉伯青年卡德（Kader Chaatouf 饰）主动向玛莉搭讪，这引起弗莱迪一伙强烈的不满……　　本片荣获1997年英国电影学院萨瑟兰郡奖、1997年戛纳电影节金相机奖特别提及、1997年芝加哥国际电影节国际影评人费比西奖、1997年欧洲电影节欧洲年度发现、1997年让维果最佳影片奖、1997年圣保罗国际电影节评委会奖。

简介：一部讲述一名歌手志愿生和过去曾享受过超高人气但现在没落了的制作人的音乐旅行记的电影。朴灿烈饰演歌手志愿生，并且就参与制作并演唱片中的音乐。

简介：甘震幼时目睹全家惨遭疤面魔君杀害，他和仆人的孙女美珠由青龙派的徐光元收为弟子。岂料徐光元也惨遭毒手，忍无可忍的甘震为了报仇，偷偷混进疤面魔君的门下卧底。疤面魔君的女儿月娇对甘震极为爱慕，但疤面魔君的大弟子秦桀对甘震却是百般刁难。青龙派的师兄们认为甘震是个背信忘义的叛徒，甘震偷偷跑回家向师母和美珠解释，却被月娇发现。月娇忌妒甘震对美珠的感情，便将此事告诉疤面魔君，疤面魔君大为震怒，将甘震关进水牢严刑拷打。于心有愧的月娇不忍甘震受此酷刑，偷偷将他放走。秦桀奉命追杀甘震，并派人杀了师母和美珠。甘震一路逃亡，危急之时幸得一名红衣女侠所救，却在与秦桀交战之际失足掉下山崖。重伤的甘震被隐居山林的得道高人救起，原来红衣女侠也正是这名高人的女弟子。经过一年的休养及锻鍊，甘震决定下山复仇。临行前，高人赠与甘震百忍剑一把，并劝诫他，凡事要忍耐，否则操之过急必定失败。甘震为民除害，先杀秦桀，后杀疤面魔君，最后，撇下伤心欲绝的月娇，扬长而去。

简介：Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

简介：青春人如其名，美丽动人。她自幼与父母在常州居住，但是不甘心终老常州的她，毅然来到香港寻找姐夫耀司。耀司是一名高级理发师，妻子已经去世。青春想借助姐夫的帮助在香港发展，但是却被突然赶到的父母，制止，争执之下，青春意外坠楼，只好暂时在姐夫家里养伤。日久生情，青春渐渐地爱上了她的姐夫耀司，但是却遭到父亲的坚决反对。究竟他们能否有情人终成眷属呢？

简介：An outstanding comedy whose poetic style hearkens back to the films of Wes Anderson. It tells of a youngster focused on winning the nationwide drumming championship in spite of certain obstacles – such as not having any drums! A film that is every bit as hardcore as Jimmy Page’s guitar, and every bit as endearing as Robert Plant’s waistcoats.　　There are a lot of films that stick to the hackneyed theme of the outsider bent on fulfilling his dream in spite of all the odds – thanks to which he not only achieves his coveted success but, moreover, instils hope in the hearts of the weak and degraded through his courage and determination. But none of these films has had a protagonist as charismatic as Power – a young man obsessed with drumming drumlessly (read steady gesticulation set to the rhythm of legendary heavy metal anthems), whose aim is to win the nationwide drumming championship, support striking miners in New Mexico and win the heart of a girl who went deaf at the age of three at a Status Quo concert. This brilliant comedy – reminiscent of the films of Wes Anderson in its fascination with bizarre twists on standard genre themes – will thrill you even if you are not a fan of 1970s hard-rock dinosaurs. But you mustn’t forget Power’s creed while you’re watching “I don’t need drums. I am drums!　　About the director　　Ari Gold received a Student Oscar in 2000 for his film Helicopter, an experimental short film in which he used authentic photography, scene reconstructions and animated sequences to tell of the tragic death of his mother. The Sundance Festival accepted Gold’s short student films for three consecutive years, and one of them – the sixty-second film Culture, which the filmmaker accompanied with a 10-point manifesto signed with the pseudonym Ari von Gold – elicited (particularly in Serbia) a wave of similar films of exactly one minute in length avowing “Dogma 99”. In addition to filmmaking, Ari Gold is also a dedicated musician – he sings in the bands The Honey Brothers and The Gold Brothers, he plays the ukulele, the piano and occasionally the drums. The film Adventures of Power is his first feature-length film.