七年前的五月

简介：　　影片改编自法国历史上的著名冤案“德莱弗斯案件”。1894年，法国犹太裔上尉阿尔弗雷德·德莱弗斯(加瑞尔饰)被错判为德国间谍，被判处叛国罪。

简介：原本拥有美满生活的拉菲克有一天突然无端发狂，砸烂了办公室并跳出窗外，人们以为他企图自杀。最终拉菲克被捕入狱。四年后，拉菲克刑满出狱，他心里只有一个念头：带儿子去看看他的发现——他一切行为的源头。尽管妻子和岳父极力阻止，他还是从学校带走了儿子。在躲避警察的过程中，他们偶遇了一位牧羊人，并在一座乡间小屋过夜，事情开始变得奇怪了起来……

简介：张冬年由于小时候得了一场病智力相当于一个五岁的娃，由于父母的早逝冬年从小跟着哥哥张冬凡一起长大。哥俩每天在寨子里就过着上山、砍柴、煮饭的生活。同龄人大年从城里回来，他的见识给张冬凡留下了深深的印象。同时张冬凡心里也萌生了去城里的想法，迫于冬年需要人照顾，这个想法也成为了哥哥冬凡心里无法实现的愿望。有一天寨子里从城里来了一位漂亮的姑娘林小月。林小月的到来对于老老实实一直生活在寨子里的冬凡来说，一切都变得美好了起来，同时心底也多了一个美好而又不敢说的愿望……

简介：本片讲述的一个女孩清泉总是臆想着身边有人，通过盗梦酒吧寻找到了盗梦者帮她一探究竟。在寻找真相的过程里，小米和钱程发现原来清泉是双胞胎，因为一次意外清流在九岁的时候出了车祸。而母亲在这个时候确认为清泉没有死去的妹妹听话懂事，清泉的心里开始模仿妹妹清流，一直扮演着妹妹的角色。在盗梦者的努力下帮助清泉解开了心结，而盗梦者又再一次踏上了盗梦的旅程。

简介：华仔是憨厚老实从未谈过恋爱的半宅男。莎莎爱慕虚荣看不起华仔，华仔却是她的忠实粉丝，华仔答应了父母为自己安排相亲的事情，莎莎这时才发现这个憨憨的男人已经早就深深刻在自己心里，经历了重重考验之后，有情人终成眷属。

简介：When a single father to a teenage daughter learns that he has a fatal brain tumor, he takes her on a road trip to find the mother who abandoned her years before and to try to teach her everything she might need over the rest of her life.

简介：电影讲述了在山海经世界的一个少年继承了瑞兽当康的能力，在白泽的引导下保护百姓，为民除害的故事。　　简介：讲述了一位乱世孤儿，得瑞兽当康抚养长大的少年，凭借瑞兽所传授的“当康之力”只身闯荡江湖，在探求“当康之力”的路上，逐渐学会善与恶，最终拯救九州苍生之的故事。

简介：本片根据Robinne Lee同名小说改编。由《大病》《塔米·菲的眼睛》导演迈克尔·肖沃特执导。40岁的离异母亲苏菲（安妮·海瑟薇饰），她的丈夫出轨年轻姑娘而抛弃了母女俩，也取消了原计划带着女儿去科切拉音乐节之旅。苏菲收拾好心情，整装出发，带着女儿去了科切拉，并见到了女儿最喜欢的乐队——August Moon，而这支乐队是目前全球最火的乐队，主唱海耶斯·坎贝尔（尼古拉斯·加利齐纳饰）聪明、成功、自信、时髦，对女孩子有立竿见影的吸引力。而且只有24岁，而俩人竟然走到了要一起。　　他们从一系列秘密约会开始，很快就演变成一段真切并且充满激情的关系。这是一次跨越各大洲的旅程，苏菲和海耶斯在彼此的世界里穿梭：从体育场之旅到国际艺术博览会，再到巴黎和迈阿密的僻静之所。对于苏菲来说，这是一场自我恢复，也是一次对幸福和爱情的重新发现。但是，当苏菲和海耶斯的恋情传遍网络...

简介：阿西玛随乡下男友穆拉特回家乡拜见他父母。一次聚会，阿西玛偶然看见穆拉特与前女友滚到一起，她一气之下要搭车回城，却误上了“送亲”的车，被送到“男方”家后，她竟真的和这个不认识的男人结婚了……

简介：The story focuses on the titular protagonist Tina who learns from Megi to live a self-determined life in patriarchal society after getting dumped by her boyfriend. The film was shot during the COVID-19 pandemic, which informed the process of shooting and the story.

简介：班内特（Bennet）牧师的五个女儿仍然单身。 当非常有资格的威尔·达西（Will Darcy）到达镇上时，班内特（Bennet）夫人将目光投向了女儿丽兹（Lizzie）和那个英俊的单身汉。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor